The death of character : perspectives on theater after modernism /

• Fuchs, Elinor.

• Experimental theater.
• Theater.
• Experimental drama.

• Indiana University Press,

• Drama and performance studies

• 0253330386 : (cl : alk. paper)
• 9780253330383 : (cl : alk. paper)
• 0253210089 (pa : alk. paper)
• 9780253210081 (pa : alk. paper)

• Includes bibliographical references (p. 199-217) and index.
• Introduction Part I: Modern Retrospect 1. Character: Its Rise and Fall 2. The Mysterium and the Re-Allegorization of Modern Drama 3. Reading Against the Grain Part II: Theater After Modernism 4. Signalling Through the Signs: Thinking Theater After Derrida 5. Play as Landscape: Another Version of Pastoral 6. Staging the Obscene Body 7. Theater as Shopping 8. Postmodernism and the OSceneO of Theater Reviews and Articles 1979ETH1993: Accounts of an Emerging Aesthetic 1979 Des McAnuffOs Leave it to Beaver is Dead Richard SchechnerOs The Balcony 1982 Andrei SerbanOs The Marriage of Figaro 1983 The Death of Character 1985 Peter SellarsOs The Count of Monte Cristo 1986 Robert WilsonOs Alcestis 1988 Elizabeth LeCompte and The Wooster GroupOs Frank DellOs The Temptation of Saint Antony 1989 Misunderstanding Postmodernism: Joanne AkalaitisOs Cymbeline 1993 The AIDS Quilt and The Performance of Mourning

• Performance theatre and the poetics of failure Forced Entertainment Goat Island Elevator Repair Service
• Theatre & politics
• Small acts of repair performance ecology and Goat Island
• Forced Entertainment research pack
• Paris jigsaw internationalism and the citys stages
• Virtual theatres an introduction
• time
• 39 microlectures in proximity of performance
• Crossing cultural borders through the actors work foreign bodies of knowledge
• Deathwatch
• Digital performance a history of new media in theater dance performance art and installation
• Performance practice and process contemporary women practitioners
• Pool no water and Citizenship
• Theatre and performance in digital culture from simulation to embeddedness
• New visions in performance the impact of digital technologies
• Ariane Mnouchkine
• Beckett in performance
• Feminist views on the English stage women playwrights 1990 2000
• Legislative theatre using performance to make theatre
• Liveness performances in an mediatized culture
• Dramaturgy and performance
• Makers of modern theatre an introduction
• Beckett on film Krapps last tape What where directed by Damien ODonnell Footfalls directed by Walter Asmus Come and go directed by John Crowley Act without words I directed by Karel Reisz
• Feminist futures theatre performance theory
• Role playing and identity the limits of theatre as metaphor
• Not even a game anymore the Theatre of Forced Entertainment
• Beyond Stanislavsky the psycho physical approach to actor training
• Critical theory and performance
• conspiracy of art manifestos interviews essays
• Samuel Beckett a collection of critical essays
• Augusto Boal
• Oleanna
• actors instrument body theory stage
• invisible actor
• Breaking the rules the Wooster Group
• Re interpreting Brecht his influence on contemporary drama and film
• Frantic Assembly book of devising theatre
• twentieth century performance reader
• Plays Dolls house An enemy of the people Hedda Gabler
• actor speaks voice and the performer
• Cambridge companion to Beckett
• Naked thoughts that roam about reflections on theatre 1958 2001
• Shootget treasurerepeat
• Performing feminisms feminist critical theory and theatre
• Acting on impulse reclaiming the Stanislavski approach a practical workbook for actors
• Theatrical presentation performer audience and act
• Critical theory and performance
• Postdramatic theatre
• Analyzing performance theater dance and film
• complete Stanislavsky toolkit
• As she likes it Shakespeares unruly women
• Staging femininities performance and performativity
• Postmodernism and performance
• Caryl Churchill Plays three
• Unmarked the politics of performance
• dictionary of theatre anthropology the secret art of the performer
• Devising performance a critical history
• Acting and reacting tools for the modern actor
• wonder of improvisation
• Physical theatres a critical reader
• semiotics of theatre and drama
• Theatre audiences a theory of production and reception
• Psychophysical acting an intercultural approach after Stanislavski
• By means of performance intercultural studies of theatre and ritual
• Physical theatres a critical introduction
• Collaborative theatre the Theatre du Soleil sourcebook
• To all appearances ideology and performance
• Plays
• Performance analysis an introductory coursebook
• Contemporary feminist theatres to each her own
• Certain fragments contemporary performance and Forced Entertainment
• process of drama negotiating art and meaning
• aesthetics of the oppressed
• Body voice imagination a training for the actor
• Cambridge companion to Shakespeare on stage
• Peter Brook a theatrical casebook
• Feminism and theatre
• Cambridge companion to English Restoration theatre
• Acting re considered theories and practices
• Acting re considered a theoretical and practical guide
• Brecht sourcebook
• Waiting for Godot a tragicomedy in two acts
• Jacques Lecoq
• Devising theatre a practical and theoretical handbook
• complete dramatic works
• Studying plays
• Avant garde theatre 1892 1992
• Impro improvisation and the theatre with an introduction by Irving Wardle
• Complete plays
• theatre of Bertolt Brecht a study from eight aspects
• Anthropocosmic theatre rite in the dynamics of theatre
• Brecht on theatre the development of an aesthetic
• Theatre as sign system a semiotics of text and performance
• Grotowskis objective drama research
• Creating a character a physical approach to acting
• Plays two
• Peter Brook and the Mahabharata critical perspectives
• good night out popular theatre audience class and form
• introduction to feminism and theatre
• Grotowski sourcebook