authors:- D'Monte Rebecca, 1957-.
- Saunders, Graham, 1965-.
subjects:- Political plays, English -- History and criticism
- English drama -- 20th century -- History and criticism
publishers:ISBN:- 1403988129 (hbk.)
- 9781403988126 (hbk.)
- 1403988137 (pbk.)
- 9781403988133 (pbk.)
notes:- Includes bibliographical references and index.
- Acknowledgements - Contributors - Introduction; G.Saunders - PART 1: IN-YER-FACE THEATRE: A RECONSTRUCTION - 'We All Need Stories': The Politics of In-Yer-Face Theatre; A.Sierz - Cruel Britannia; K.Urban - Harold Pinter and Poetic Politics; M.Luckhurst - PART 2: THATCHERISM AND (POST-) FEMINISM - Thatcher's Children: Alienation and Anomie in the Plays of Judy Upton; R.D'Monte - Middle Class Aspirations and Black Women's Mental (Ill) Health in Zindika's Leonora's Dance, and Bonnie Greer's Munda Negra and Dancing on Blackwater; L.Goddard - A Good Night Out, For the Girls; E.Aston - PART 3: NATION, DEVOLUTION AND GLOBALIZATION - 'Mapping the Territory': Modern Scottish Drama; D.Pattie - 'The Net and the Self': Colliding Views of Individuality and Nationhood in the Pre-Devolutionary Plays of Mark Jenkins and Ed Thomas; R.Owen - 'A Legacy of Violence': Representing Loyalism in the Plays of Gary Mitchell; N.Holdsworth & W.McDowell - 'Because it Feels Fucking Amazing': Recent British Drama and Bodily Mutilation; D.Rebellato - 'Rough Theatre'; D.Greig - Bibliography - Index
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