An actor's work : a student's diary /

• Stanislavsky, Konstantin, 1863-1938.
• Benedetti, Jean

• Method (Acting)

• Routledge,

• 041542223X (hbk.)
• 9780415422239 (hbk.)

• Contents Introduction "Declan Donnelan "Translator's Foreword "Jean Benedetti" Preface "Konstantin Stanislavski" Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword "Anatolij Smelianski"
• Translated from the Russian.

• Stanislavsky directs
• Stanislavski and the actor
• Science and the Stanislavsky tradition of acting
• My life in art
• Taking stage women directors on directing
• Other voices other rooms
• actor prepares
• Psychoanalysis and performance
• Re direction a theoretical and practical guide
• potentials of spaces the theory and practice of scenography & performance
• Towards a poor theatre
• actor speaks voice and the performer
• Modern drama in theory and practice Realism and naturalism
• Anthropocosmic theatre rite in the dynamics of theatre
• Stanislavsky in focus an acting master for the twenty first century
• Analyzing performance theater dance and film
• Plays 1 Shopping and fucking Faust is dead Handbag Some explicit polaroids
• Stage presence
• complete Stanislavsky toolkit
• In contact with the gods directors talk theatre
• Modern drama in theory and practice Symbolism surrealism and the absurd
• Psychophysical acting an intercultural approach after Stanislavski
• Plays
• Frantic Assembly book of devising theatre
• Psychology for performing artists
• Theatre histories an introduction
• I licked a slags deodorant
• Acting on impulse reclaiming the Stanislavski approach a practical workbook for actors
• Acting is believing a basic method foreword by Alan Schneider sketches by James Maronek
• Hedda Gabler and other plays translated from the Norwegian byUna Ellis Fermor
• Modern theories of performance from Stanislavski to Boal
• Modern drama in theory and practice Expressionism and epic theatre
• Konstantin Stanislavsky
• Autobiography and identity Women theatre and performance
• Makers of modern theatre an introduction
• To the actor
• Modernism and performance Jarry to Brecht
• Through the body a practical guide to physical theatre
• Stanislavsky technique Russia a workbook for actors
• director prepares seven essays on art and theatre
• improvisation game discovering the secrets of spontaneous performance
• Systems of rehearsal Stanislavsky Brecht Grotowski and Brook
• physical actor exercises for action and awareness
• Vsevolod Meyerhold
• Critical theory and performance
• Interactive and improvisational drama varieties of applied theatre and performance
• Beyond Stanislavsky the psycho physical approach to actor training
• Physical theatres a critical reader
• Building a character translated from the Russian by Elizabeth Reynolds Hapgood
• actor at work
• Theater games for rehearsal a directors handbook
• Building a character
• Acting re considered a theoretical and practical guide
• Wooster Group and its traditions
• Feminist futures theatre performance theory
• presence of the actor
• Mother Courage and her children
• Towards a poor theatre
• Plays Dolls house An enemy of the people Hedda Gabler
• wonder of improvisation
• actor and the target
• Stanislavsky on the art of the stage
• Dramaturgy and performance
• Shootget treasurerepeat
• Cambridge companion to Shakespeare on stage
• Performing feminisms feminist critical theory and theatre
• Baudrillards bestiary Baudrillard and culture
• Brecht on theatre the development of an aesthetic
• dictionary of theatre anthropology the secret art of the performer
• Vsevolod Meyerhold
• moving body teaching creative theatre
• Augusto Boal
• Acting and reacting tools for the modern actor
• Building a character
• Performance analysis an introductory coursebook
• Collaborative theatre the Theatre du Soleil sourcebook
• theory and analysis of drama
• Performance studies an introduction
• Grotowskis objective drama research
• Your voice and how to use it
• Unmaking mimesis essays on feminism and theater
• Directing in the theatre
• Stanislavski a biography
• Staging femininities performance and performativity
• Staging the Renaissance reinterpretations of Elizabethan and Jacobean drama
• aesthetics of the oppressed
• Physical theatres a critical introduction
• articulate body the physical training of the actor
• Performance studies an introduction
• Devising performance a critical history
• Grotowski sourcebook
• semiotics of performance
• Jacques Lecoq
• At work with Grotowski on physical actions
• director and the stage from naturalism to Grotowski
• This is a chair
• By means of performance intercultural studies of theatre and ritual
• Twentieth century actor training
• intercultural performance reader
• Theatre audiences a theory of production and reception