Gender and the musical canon /

• Citron, Marcia J.

• Musical canon
• Music by women composers -- History and criticism

• University of Illinois Press,

• 0252069161 (pbk. : alk. paper)

• Originally published by Cambridge University press, 1993.
• Includes bibliographical references (p. 277-294) and index.

• Women composers vol 2
• Under the stars the solo piano music of Amy Beach
• roman de Fauvel a medieval fable in poetry and music from the manuscriptfr 146 of the Bibliotheque Nationale de France
• By the still waters the solo piano music of Amy Beach
• Nineteenth century piano music
• Spanish Liederbooklet for soprano and piano
• Musical voices of early modern women many headed melodies
• Tristan und Isolde
• Invitation to madrigals a graded selection of 20 four part works newly transcribed and edited by Thurston Dart S A T B
• world of baroque music new perspectives
• Sonates pour le pianoforte
• Musicking the meanings of performing and listening
• Rediscovering the muses womens musical traditions
• spirits of England and France Songs of the trouveres
• Women composers vol 1
• Fire flies the solo piano music of Amy Beach
• Gabriel Faure
• Scotch minstrelsy for tenor or soprano and piano
• Songs from the exotic for medium voice and piano
• Masculinities and music engaging men and boys in making music
• Fauvel studies allegory chronicle music and image in Paris Bibliotheque nationale de France MS Francais 146
• Women composers music through the ages Composers born 1800 1899 vocal music
• monophonic songs in the Roman de Fauvel
• Six barcarolles et cinq impromptus pour piano
• Schubert a symposium
• canons in the musicological toolbox Chapter 2 of Disciplining music ed Katherine Bergeron and Philip Bohlman
• Classic French carols SATB and organ or piano arranged by Paul Trepte
• Fanny Mendelssohn
• Frauen komponieren = Female composers 22 piano pieces ed Eva Rieger and Kate Walter
• Piano music by Cecile Chaminade
• Stokowskis Mussorgsky
• Cecilia reclaimed feminist perspectives on gender and music
• woman composer creativity and the gendered politics of musical composition
• Free jazz and free improvisation an encyclopedia
• Piano music
• Christmas voices new carols for unison SSA and SATB chorus accompanied and unaccompanied
• Queer episodes in music and modern identity
• Women in music an anthology of source readings from the Middle Ages to the present
• Giulio Cesare in Egitto opera in three acts
• nozze di Figaro opera buffa in four acts
• Film music and beyond writings on music and the screen 1946 59
• Amy Beach passionate Victorian the life and works of the American composer 1867 1944
• performers guide to music of the baroque period ed Anthony Burton
• history of western music
• early flute a practical guide
• Romantic piano music
• Maurice Ravel
• Goldberg variations BWV988
• Voices and instruments of the Middle Ages instrumental practice and songs in France 1100 1300
• Elizabethan song book lute songs madrigals and rounds
• Heavy weather
• French music from the death of Berlioz to the death of Faure
• 30 Italian songs and arias of the seventeenth and eighteenth centuries selected and edited by Roger Nichols
• Songs vol 1 7 songs for high voice and keyboard ed Michael Tippett and Walter Bergmann
• Dichterliebe an authoritative score with historical background essays in analysis views and comments
• 42 Studies for viola solo
• night at the Chinese opera opera in three acts
• Soliloquy for solo flute
• Playing the harpsichord
• SchenkerGUIDE a brief handbook and website for Schenkerian analysis
• Disciplining music musicology and its canons
• Music and women the story of women in their relation to music
• Sergei Rachmaninoff a lifetime in music
• Songs and madrigals
• romantic generation
• Three operas
• Goldberg Variationen
• Interpreting and dating Josquins Missa Hercules Dux Ferrariae from Early musical borrowing ed Honey Meconi
• c machines Technology and popular music Chapter 2 of Producing Pop
• Women composers the lost tradition found
• Pavane pour une infante defunte for small orchestra
• Mass and parish in late Medieval England the use of York
• selection of Italian arias 1600 1800 Vol 2 edition prepared by Damian Cranmer English translations by Dorothy Richardson
• Music of the Baroque An anthology of scores
• Performing music in the age of recording
• Opera buffa in Mozarts Vienna
• Music gender education
• notation of western music an introduction
• history of the oratorio The oratorio in the Baroque era Protestant Germany and England
• Schubert studies
• imaginary museum of musical works an essay in the philosophy of music
• Mozarts letters
• Cambridge history of nineteenth century music
• Musicology the key concepts
• 48 Etuden fur Klarinette
• tombeau de Couperin and other works for solo piano
• Beethoven piano sonatas
• Authenticity in music
• Music and instruments of the Middle Ages studies on texts and performance
• Historical anthology of music by women
• Brass instruments their history and development
• Dido and Aeneas opera in three acts
• Symphony no 2 in D major op 36 edited by Jonathan Del Mar
• Beethovens pianoforte sonatas discussed
• Opera or the undoing of women
• Cambridge history of twentieth century music
• 17 string quartets complete in four volumes The three Rasoumovsky quartets
• performers guide to music of the classical period ed Anthony Burton
• Vespers 1610
• Performance practices of the seventeenth and eighteenth centuries