Acting (re)considered : a theoretical and practical guide /

• Zarrilli, Phillip B., 1947-

• Acting.

• Routledge,

• Worlds of performance

• 0415262992
• 041526300X (pbk.) :
• 0203991478 (e-book)
• 9780203991473 (e-book)

• £16.99

• Previous ed.: 1995.
• Includes bibliographical references and index.

• Brecht in context comparative approaches
• Stanislavski and the actor
• Empty figure on an empty stage the theatre of Samuel Beckett and his generation
• Working Shakespeare Muscularity of language motion and rhythm
• Presence in play a critique of theories of presence in the theatre
• Stanislavskis legacy a collection of comments on a variety of aspects of an actors art and life
• Moscow Art Theatre
• improvisation book how to conduct successful improvisation sessions
• body speaks
• purpose of playing modern acting theories in perspective
• Other voices other rooms
• Taken by surprise a dance improvisation reader
• Voice and speech an introduction
• Towards a poor theatre
• Anthropocosmic theatre rite in the dynamics of theatre
• Negotiating cultures Eugenio Barba and the the intercultural debate
• Dictionary of the theatre terms concepts and analysis
• Taking stage women directors on directing
• Small acts of repair performance ecology and Goat Island
• invisible actor
• Journey without end reflections and memoirs Platonov observed rehearsal notes
• Flow the classic work on how to achieve happiness
• Beyond the boundaries American alternative theatre
• short film of improvisation
• Acting on impulse reclaiming the Stanislavski approach a practical workbook for actors
• Crossing cultural borders through the actors work foreign bodies of knowledge
• Stage fright its role in acting
• Action theater the improvisation of presence
• Theatre histories an introduction
• dictionary of theatre anthropology the secret art of the performer
• Acting skills
• Stanislavsky in focus an acting master for the twenty first century
• Beckett in performance
• Attunement through the body
• Meyerhold on theatre
• Psychophysical acting an intercultural approach after Stanislavski
• Eugenio Barba
• On the art of the theatre
• Heart of practice within the Workcenter of Jerzy Grotowski and Thomas Richards
• Performance and cultural politics
• 39 microlectures in proximity of performance
• Acting with intent theatre companies and their education programmes
• actors work a students diary
• What you think is what you get an introductory textbook for the study of the Alexander technique
• Acting and reacting tools for the modern actor
• complete Stanislavsky toolkit
• Making a performance devising histories and contemporary practices
• My life in art
• Frantic Assembly book of devising theatre
• Collaborative theatre the Theatre du Soleil sourcebook
• Rat Pack greatest hits
• Rat Pack live from Las Vegas
• Mastering movement the life and work of Rudolf Laban
• wonder of improvisation
• Training for the theatre premises & promises
• physical actor exercises for action and awareness
• Stanislavsky technique Russia a workbook for actors
• Stanislavsky directs
• actor and the target
• In contact with the gods directors talk theatre
• Let the water run its course to the sea that made the promise
• Storytelling and theatre contemporary storytellers and their art
• Beyond Stanislavsky the psycho physical approach to actor training
• Vsevolod Meyerhold
• Jacques Lecoq
• Theatre solitude craft revolt
• Performance studies an introduction
• Theory for performance studies a students guide
• Intercultural performance handbook
• Theatre workshop Joan Littlewood and the making of modern British theatre
• Autobiography and performance
• Directing amateur theatre
• death of character perspectives on theater after modernism
• British theatre of the 1990s interviews with directors playwrights critics and academics
• improvisation game discovering the secrets of spontaneous performance
• Performance critical concepts in literary and cultural studies
• Directing Beckett
• Stage management and theatre administration
• Threads of time recollections
• Play acting thirty two theatre workshop activities that create performance
• Understanding dance
• Interactive and improvisational drama varieties of applied theatre and performance
• Gardzienice Polish theatre in transition
• Imaginary evidence
• potentials of spaces the theory and practice of scenography & performance
• Singing and the actor
• Through the body a practical guide to physical theatre
• Makers of modern theatre an introduction
• Systems of rehearsal Stanislavsky Brecht Grotowski and Brook
• To the actor
• Why is that so funny a practical exploration of physical comedy
• Radical initiatives in interventionist and community drama
• Is there a text in this class the authority of interpretive communities
• Restoration of breath consciousness and performance
• Performing democracy international perspectives on urban community based performance
• Stanislavski in rehearsal
• Feminist theaters in the U S A staging womens experience
• actors instrument body theory stage
• Kathakali dance drama when gods and demons come to play