Love me or kill me : Sarah Kane and the theatre of extremes /

• Saunders, Graham.

• Kane, Sarah, 1971-1999 -- Criticism and interpretation
• Kane, Sarah, 1971-1999
• Women and literature -- England -- History -- 20th century
• Dramatists, English -- 20th century -- Interviews.
• Polarity in literature
• Playwriting

• Manchester University Press : Distributed exclusively in the USA by Palgrave,

• 0719059550 (hardback)
• 0719059569 (paperback)
• 9780719059568

• Includes bibliographical references (p. [193]-198) and index.

• Plays 1
• Plays 2
• Feminist views on the English stage women playwrights 1990 2000
• theatre of Martin Crimp
• Collected plays
• Shopping and fucking
• Antonin Artaud a critical reader
• Plays Dolls house An enemy of the people Hedda Gabler
• Liveness performances in an mediatized culture
• Pool no water and Citizenship
• community performance reader
• Applied theatre bewilderment and beyond
• Shootget treasurerepeat
• Performance studies an introduction
• improvised play the work of Mike Leigh
• Caryl Churchill
• Complete plays
• theatre and its double essays
• Stanislavski a biography
• actor speaks voice and the performer
• Far away
• empty space
• Cambridge companion to modern British women playwrights
• Feminism and theatre
• Not even a game anymore the Theatre of Forced Entertainment
• All together now an alternative view of theatre and the community
• big youth theatre manual a working guide to all aspects of youth theatre
• Blasted and Phaedras love
• Plays one
• good night out popular theatre audience class and form
• Directing in the theatre
• sourcebook of feminist theatre and performance on and beyond the stage
• Applied drama the gift of theatre
• House of games making theatre from everyday life
• aesthetics of the oppressed
• staging handbook
• In yer face theatre British drama today
• Attempts on her life
• Contemporary British theatre
• Some explicit polaroids
• Plays 1
• Plays two
• Arguments for a theatre
• Body space image notes towards improvisation and performance
• Brecht sourcebook
• Collected plays
• feminist reader essays in gender and the politics of literary criticism
• Jacques Lecoq
• Theatre audiences a theory of production and reception
• Devising performance a critical history
• Blue heart
• Creative drama in groupwork
• readers guide to contemporary feminist literary criticism
• Gender and theory dialogues on feminist criticism
• Commedia dellarte an actors handbook
• Greek tragic theatre
• Plays
• Stanislavski an introduction
• dictionary of theatre anthropology the secret art of the performer
• Certain fragments contemporary performance and Forced Entertainment
• Acting and reacting tools for the modern actor
• Building a character
• Theatre audiences a theory of production and reception
• Devising theatre a practical and theoretical handbook
• Cambridge companion to Brecht
• theatre of Meyerhold revolution and the modern stage
• Brecht on theatre the development of an aesthetic
• rainbow of desire the Boal method of theatre andtherapy
• Psychophysical acting an intercultural approach after Stanislavski
• Impro improvisation and the theatre with an introduction by Irving Wardle
• Theater of the oppressed
• Grotowski sourcebook
• theatre of Bertolt Brecht a study from eight aspects
• Anthropocosmic theatre rite in the dynamics of theatre
• actor prepares
• Cambridge companion to Greek tragedy
• Physical theatres a critical reader
• Theatre at the crossroads of culture
• Postdramatic theatre
• Hamlet
• Stage design a practical guide
• Games for actors and non actors
• Peter Brook a theatrical casebook
• Acting re considered a theoretical and practical guide
• actor and his body
• actor prepares
• Theatre as sign system a semiotics of text and performance
• good night out popular theatre audience class and form
• Improvisation in drama
• Acting re considered theories and practices
• Creating a character a physical approach to acting
• director and the stage from naturalism to Grotowski
• Towards a poor theatre
• politics of performance radical theatre as cultural intervention
• Learning through theatre new perspectives on theatre in education
• Twentieth century actor training
• At work with Grotowski on physical actions
• Young people inequality and youth work