Collaborative theatre : the Théâtre du Soleil sourcebook /
authors:
Williams, David
Prenowitz, Eric
subjects:
Mnouchkine, Ariane.
Experimental theatre.
publishers:
Routledge,
ISBN:
0415086051
041508606x
notes:
£45.00.
people who borrowed this, also borrowed:
Performance practice and process contemporary women practitioners
Routledge reader in politics and performance
Hidden territories the theatre of Gardzienice
Craig on theatre
Ariane Mnouchkine
Small acts of repair performance ecology and Goat Island
Critical theory and performance
Billie Whitelaw who he an autobiography
Journey without end reflections and memoirs Platonov observed rehearsal notes
Land of ashes and diamonds my apprenticeship in Poland followed by 26 letters from Jerzy Grotowski to Eugenio Barba
Brecht in context comparative approaches
Stanislavskis legacy a collection of comments on a variety of aspects of an actors art and life
Taking stage women directors on directing
Performing democracy international perspectives on urban community based performance
death of character perspectives on theater after modernism
Feminist futures theatre performance theory
Eyes on stalks
In contact with the gods directors talk theatre
My life in art
Dodin and the Maly Drama Theatre process to performance
Wooster Group work book
Gardzienice Polish theatre in transition
Forced Entertainment educational resource pack
Frantic Assembly book of devising theatre
Theatre body and pleasure
Meyerhold a revolution in theatre
directors craft a handbook for the theatre
Makers of modern theatre an introduction
Beckett on film Waiting for Godot Not I directed by Neil Jordan Rough for theatre I directed by Kieron J Walsh Ohio impromptu directed by Charles Sturridge Documentary directed by Pearse Lehane
Imaginary evidence
Theatre workshop Joan Littlewood and the making of modern British theatre
theatre of Martin Crimp
Making a performance devising histories and contemporary practices
Meyerholds biomechanics and rhythm 1999
actor speaks voice and the performer
Beckett on film Krapps last tape What where directed by Damien ODonnell Footfalls directed by Walter Asmus Come and go directed by John Crowley Act without words I directed by Karel Reisz
Feminist views on the English stage women playwrights 1990 2000
Plays 1 Shopping and fucking Faust is dead Handbag Some explicit polaroids
Making performance
Acting on impulse reclaiming the Stanislavski approach a practical workbook for actors
Trans global readings crossing theatrical boundaries
empty space
Beckett in performance
Performance and cultural politics
On directing and dramaturgy burning the house
Threads of time recollections
Vsevolod Meyerhold
presence of the actor
Psychophysical acting an intercultural approach after Stanislavski
Physical theatres a critical introduction
Applied theatre creating transformative encounters in the community
There are no secrets thoughts on acting and theatre
How to stop acting
Not even a game anymore the Theatre of Forced Entertainment
Anthropocosmic theatre rite in the dynamics of theatre
Brecht
moving body teaching creative theatre
Plays two
Building a character
Theater games for rehearsal a directors handbook
way of acting the theatre writings of Tadashi Suzuki
Directing in the theatre
Stanislavski in rehearsal
actors instrument body theory stage
applied theatre reader
Staging femininities performance and performativity
Theatre histories an introduction
cost of living
Directing Beckett
actor and the target
Liveness performances in an mediatized culture
conspiracy of art manifestos interviews essays
explicit body in performance
Plays
Modern drama in theory and practice Symbolism surrealism and the absurd
Devising performance a critical history
Shootget treasurerepeat
Performing feminisms feminist critical theory and theatre
Performance critical concepts in literary and cultural studies
Konstantin Stanislavsky
Eugenio Barba
complete Stanislavsky toolkit
Caryl Churchill
sourcebook of feminist theatre and performance on and beyond the stage
Beyond Stanislavsky the psycho physical approach to actor training
Augusto Boal
invisible actor
Brecht and method
Freeing the natural voice
Shakespearean stage 1574 1642
wonder of improvisation
Applied theatre bewilderment and beyond
potentials of spaces the theory and practice of scenography & performance
politics of theatre and drama
Acting re considered a theoretical and practical guide
intercultural performance reader
actors work a students diary
aesthetics of the oppressed
theatre and its double essays
University of Huddersfield Library Catalogue