The spirits of England and France. Binchois and his contemporaries.

• Page, Christopher, 1952-, (conductor)
• Johannes de Lymburgia, fl. 1400-1440.
• Legrant, Johannes, fl. 1420-1440
• Fontaine, Pierre, ca. 1390-ca. 1450
• Machaut, Guillaume de, ca. 1300-1377.
• Dunstable, John, ca. 1390-1453.
• Power, Leonel, d. 1445
• Binchois, Gilles, d. 1460
• Cardot, 1380-1470.
• Byttering, fl. 1410.
• Velut, Gilet, fl. 1410
• Gothic Voices

• Vocal ensembles -- Sound recordings.
• Part songs -- Sound recordings.

• Hyperion,

• Compact disc.

• Hyperion CDA 66783.
• Contents: Works by Gilles Binchois (Qui veut mesdire; Amoreux suy; Adieu mon amoreuse joye; Ay! doloureux; Magnificat secundi toni; Se la belle) - Cardot (Pour une fois) - Gilet Velut (Un petit oyselet; Laissiés ester) - Johannes le Grant (Se liesse) - Johannes de Lymburgia (Descendi in ortum meum) - Leonel Power (Gloria) - John Dunstable (Beata Dei genitrix) - Pierre Fontaine (J'ayme bien celui) - Guillaume de Machaut (Il m'est avis) - Bittering (En Katerina solemnia; Virginalis concio; Sponsua amat sponsum) - Anon (Abide, I hope; Exultavit cor in Domino).
• Gothic Voices; Christopher Page, director.

• spirits of England and France Songs of the trouveres
• Music for St James the Greater
• Masters of the Rolls Music by English composers of the fourteenth century
• Popes and antipopes Music for the courts of Avignon and Rome
• spirits of England and France music for court and church from the later middle ages
• Sweet love sweet hope Music from a 15th century Bodleian manuscript
• lily and the lamb chant and polyphony from medieval England
• Mozart an extraordinary life
• Renaissance love songs
• Sweet is the song music of the troubadours and trouveres
• roman de Fauvel a medieval fable in poetry and music from the manuscriptfr 146 of the Bibliotheque Nationale de France
• Loves illusion music from the Montpellier Codex 13th century
• Codex Faenza c 1410 1420 Instrumental music of the early 15th century
• age of cathedrals music from the Magnus Liber Organi
• Missa Se la face ay pale
• Missa Se la face ay pale Salmi Chansons
• Dante troubadours
• Miri it is songs and instrumental music from medieval England
• Sonata no 8 op 13 Sonata no 14 op 27 no 2 Sonata no 23 op 57
• John Dunstaple musician to the Plantagenets
• Music for a viol
• Chansons de trouveres
• Music and medieval manuscripts paleography and performance essays dedicated to Andrew Hughes
• play of Daniel = Ludus Danieli
• Symphonie No 6 Kindertotenlieder
• Homage to Johannes Ciconia
• Early music greatest hits 1100 1600
• Symphony no 7
• Gregorian chants for Palm Sunday
• Voices and instruments of the Middle Ages instrumental practice and songs in France 1100 1300
• Norton anthology of Western music Medieval Renaissance Baroque
• Dunstaple
• French chansons
• Music at All Souls Oxford The Lancastrians to the Tudors
• plain and easy introduction to practical music
• Anthology of Renaissance music Music in Western Europe 1400 1600 ed Allan W Atlas
• Techniques of twentieth century composition a guide to the materials of modern music
• Music of the gothic era
• Italian madrigals
• madrigal
• Messe de Notre Dame Le lai de la fontaine Ma fin est mon commencement
• Symphonies no 5
• A lestampida medieval dance music
• Anthology of medieval music
• String quartet no 3 Sz85
• Music of the Middle Ages style and structure
• Dreams in the pleasure garden Chansons
• Medieval music
• Monteverdi madrigals
• Messe de Notre Dame
• Messe de Notre Dame
• Music in the Middle Ages with an introduction on the music of ancient times
• Editing early music
• notation of western music an introduction
• Mass and parish in late Medieval England the use of York
• Oxford book of Italian madrigals
• Antiquity and the Middle Ages from ancient Greece to the 15th century
• Music in the medieval world
• Studies in medieval and renaissance music
• Twelve concerti grossi op VI in two volumes including no 8 Christmas concerto
• Symphonies nos 40 and 41
• Companion to medieval and renaissance music
• Medieval and Renaissance music a performers guide
• Run shepherds run carol for unaccompanied choir with audience participation
• Medieval music
• Music notation in the twentieth century a practical guidebook
• Bartok Concerto for orchestra
• Music in the Renaissance
• Guillaume de Machaut
• Overtones and undertones reading film music
• Bela Bartok an analysis of his music
• messe de Nostre Dame
• life and music of Bela Bartok
• Nineteenth century romanticism in music
• Music in medieval Europe
• study of counterpoint from Johann Joseph Fuxs Gradus ad parnassum
• Analysing musical multimedia Chapter 4 Credit where its due Madonnas Material Girl
• In nativitatem Domini canticum Usquequo avertis faciem tuam H416 + 3 Noels H531 ed Brian Clark and Clifford Bartlett
• Mikrokosmos progressive piano pieces In 6 vols
• I was glad when they said unto me motet
• Renaissance music music in Western Europe 1400 1600
• complete piano sonatas on period instruments
• Sonaten und Partiten fur Violine allein Wiedergabe der Handschrift mit einem Nachtwort herausgeggeben von Gunter Hausswald
• Mozarts Requiem on preparing a new edition
• Concerto for orchestra with an introduction by Malcolm MacDonald
• Women making music the Western art tradition 1150 1950
• Emotion and meaning in music
• Symphonies nos 1 6
• Concerto for orchestra
• Baroque music
• classical style Haydn Mozart Beethoven
• Symphony in G minor K V 550
• wo and three part inventions facsimile of the autograph manuscript with an introduction by Eric Simon
• Brandenburgische Konzerte Faksimile nach dem im Besitz der Deutschen Staatsbibliothek in Berlin befindlichen Autograph
• Sonata forms
• guide to musical analysis
• Gloria RV589 ed Paul Everett
• Cambridge music guide
• Requiem for soprano alto tenor and bass soli SATB and orchestra K626
• Audio vision sound on screen