The Language of electroacoustic music /

• Emmerson, Simon, 1950-

• Electronic music -- History and criticism
• Concrete music -- History and criticism.

• Macmillan,

• 0333397606
• 9780333397602
• 0333397592

• Interpenetrations
• Analysis in electroacoustic music = Analyse en musique electroacoustique Proceedings of the work of the International Academy of Electroacoustical Music Bourges 1996
• Silver apples of the moon for electronic music synthesizer
• pulses of time
• Handbook for acoustic ecology CD ROM edition version 1 1 ed Barry Truax
• Dialogue de lombre double pour clarinette premiere sur scene et clarinette double enregistree
• Tombeau de Messiaen for piano and digital audio tape
• theory and technique of electronic music
• Moment
• Ways of listening an ecological approach to the perception of musical meaning
• Anthemes 2 pour violon et disposatif electronique
• Viola concerto
• Anthemes pour violon seul
• Oxford handbook of computer music
• Cultures electroniques 24eme concours international de musique electroacoustique Bourges 1997
• Music and modern art
• Earths magnetic field realizations in computed electronic sound
• Tombeau de Messiaen
• My cinema for the ears
• Electronic music
• Composition diffusion in electroacoustic music = Composition diffusion en musique electroacoustique Proceedings of the work of the International Academy of Electroacoustical Music Bourges 1997
• XXIIIo Concorso Internazionale Luigi Russolo di Musica Elettroacustica 2001
• Advaya for cello electronic keyboard and electronics
• Interactive music systems machine listening and composing
• Cultures electroniques 28eme concours international de musique electroacoustique Bourges 2001
• Aesthetics and electroacoustic music = Esthetique et musique electroacoustique Proceedings of the work of the International Academy of Electroacoustical Music Bourges 1995
• well tempered synthesiser
• Computer music currents
• Foley grail the art of performing sound for film games and animation
• Music electronic media and culture
• Computer music currents
• Pres for cello and electronics
• New computer music
• Quartet no 79 in D major for 2 violins viola and violoncello op 76 no 5
• Complete works for solo tape
• Other planets the music of Karlheinz Stockhausen
• On sonic art
• Digital soundscapes
• Live sessions at Mintons playhouse New York May 1941
• Symphony of psalms
• XXVo Concorso Internazionale Luigi Russolo di Musica Elettroacustica 2003
• Vox 4 a dramatic scenario for 4 amplified voices and 4 channel tape
• history of experimental film and video from the canonical avant garde to contemporary British practice
• Computer music retrospective 1957 1985
• Imaginary landscape no 1 for records of constant and variable frequency large Chinese cymbal and string piano
• I E A O V
• Computer music currents
• Mixtur for 5 orchestral groups 4 sine wave generators 4 ring modulators
• Satyagraha opera in three acts
• Death in Venice
• AudioSculpt 2 Users manual ed Karim Haddad
• On sonic art
• Metal Box
• Music cognition
• soundscape our sonic environment and the tuning of the world
• Recording spaces
• Sonic art from Aberdeen Glasgow Huddersfield and Newcastle
• Beyond the bridge
• Virtual music computer synthesis of musical style
• This binary universe
• Music by computers
• CineMusic constructing the film score
• algorithmic composer
• Vortices and angels
• Warp labels unlimited
• Compositions demonstrations 1946 1974
• Winter in the belly of a snake
• Music machine selected readings from Computer music journal
• Audible design a plain and easy introduction to practical sound composition
• Hildegards dream
• Elvis 30 1 Hits
• poetics of simple mathematics in music
• Messiaen Quatuor pour la fin du temps
• hidden sense synesthesia in art and science
• Virtual music how the web got wired for sound
• Living electronic music
• Alternative electronic compositions of students from the University of Huddersfield
• Articles indefinis = Indefinite articles
• Fourth string quartet op 37
• Audiosculpt Users manual
• sound on sound book of recording and production techniques for the recording musician
• Practical art of motion picture sound
• Overhear electroacoustic music and the saxophones of Stephen Cotterell
• Playing on words a guide to Luciano Berios Sinfonia
• Time in Indian music rhythm metre and form in North Indian rag performance
• Elements of computer music
• Sur incises
• Background noise perspectives on sound art
• cinq quatuors a cordes Trio a cordes Khoom
• Madcap the half life of Syd Barrett Pink Floyds lost genius
• Microphony 1 and 2
• Oktophonie Electronic music of Tuesday from Light Elektronische Musik vom Dienstag aus Licht
• New digital musical instruments control and interaction beyond the keyboard
• Homebrew
• Phone Turenas Stria Sabelithe
• Audiosculpt Cross synthesis handbook
• Crosstown traffic Jimi Hendrix and post war pop
• open work
• Live electronic music
• Vox