Acting /

• Harrop, John.

• Acting.
• Actresses -- Social History.

• Routledge,

• Theatre concepts

• 0415059623
• 0415059615

• job of acting a guide to working in theatre
• training sessions of Michael Chekhov a summary of basic features
• Actor as artist
• drama of Ibsen and Strindberg
• Drama in performance
• Acting in Restoration comedy
• Ring of liberation deceptive discourse in Brazilian capoeira
• Ibsen and the theatre essays in celebration of the 150th anniversary of Henrik Ibsens birth
• Techniques of acting
• Stanislavski and the actor
• Voice and the actor
• Henrik Ibsen
• Acting skills
• Systems of rehearsal Stanislavsky Brecht Grotowski and Brook
• preface to Restoration drama
• Acting is believing a basic method foreword by Alan Schneider sketches by James Maronek
• Vocal training at Odin Teatret
• Stanislavsky on the art of the stage
• work demonstration
• Directors in rehearsal a hidden world
• articulate body the physical training of the actor
• Improvisation for the theatre a handbook of teaching and directing techniques
• Performing Chekhov
• Through the body a practical guide to physical theatre
• Restoration comedy in performance
• Training for the theatre premises & promises
• Post colonial drama theory practice politics
• Avant garde performance live events and electronic technologies
• Becketts dying words the Clarendon Lectures 1990
• Capoeira a Brazilian art form history philosophy and practice
• staging handbook
• Artaud on theatre
• To all appearances ideology and performance
• To the actor
• actor at work
• Ways of physicalizing thoughts feelings and text
• Improvisation
• Twentieth century theatre a sourcebook
• Finding your voice a step by step guide for actors
• Directing in the theatre
• Theatre games a new approach to drama training
• Dramatherapy theory and practice
• Exploring theatre and education
• Four Restoration marriage plays Thomas Otway The soldiers fortune Nathaniel Lee The Princess of Cleves John Dryden Amphitryon or the two Sosias Thomas Southerne The wives excuse or cuckolds make themselves
• Towards a third theatre Eugenio Barba and the Odin teatret
• Cambridge companion to modern British women playwrights
• physical actor exercises for action and awareness
• Beyond Stanislavsky the psycho physical approach to actor training
• actor adrift
• Public and performance in the Greek theatre
• Towards a theory of drama in education
• Acting and reacting tools for the modern actor
• Body voice imagination a training for the actor
• Street theatre and other outdoor performance
• Critical theory and performance
• Designing for the theatre
• Devising performance a critical history
• Beginnings in ritual studies
• Improvisation in drama
• Plays 1
• Dramawise an introduction to GCSE drama
• Commedia dellarte an actors handbook
• Crucible
• Bertolt Brecht chaos according to plan
• Training at Grotowskis Theatre Laboratorium in Wroclaw
• politics of theatre and drama
• Theatre audiences a theory of production and reception
• Dramatherapy theory and practice
• Everyman and medieval miracle plays
• process of drama negotiating art and meaning
• critical introduction to twentieth century American drama Beyond Broadway
• Theatre theory postmodernism
• improvised play the work of Mike Leigh
• actor and his body
• Acting on impulse reclaiming the Stanislavski approach a practical workbook for actors
• Starting drama teaching
• Twentieth century actor training
• Building a character
• first English actresses women and drama 1660 1700
• Acting re considered a theoretical and practical guide
• Actresses as working women their social identity in Victorian culture
• Performance studies an introduction
• Building a character
• theory and analysis of drama
• Meyerhold on theatre
• From acting to performance essays in modernism and postmodernism
• Stanislavsky technique Russia a workbook for actors
• Acting re considered theories and practices
• theatre and its double essays
• Stanislavsky and Meyerhold
• Learning through theatre new perspectives on theatre in education
• Stand up on being a comedian
• relapse
• actors way
• Performance theory
• actor prepares
• Theatre as sign system a semiotics of text and performance
• articulate body the physical training of the actor
• Stage management the essential handbook
• Analysing performance a critical reader