- Music analysis
- Opera quarterly
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| | - Cello and orchestra. (1976) / Feldman, Morton
- The Cambridge companion to Sibelius (2004) / Grimley, Daniel M.
- A little suite for Christmas, A.D. 1979 : (after Giotto's Nativity frescoes in the Arena Chapel at Padua). (1980) / Crumb, George
- Zehn kleine Klavierstücke : op.12. (1972) / Prokofiev, S. S.
- Harmony in practice (1999) / Butterworth, Anna
- Haydn and the classical variation (1993) / Sisman, Elaine R.
- Processional : [for] piano solo. (1984) / Crumb, George
- Music in European capitals : the galant style, 1720-1780 (2003) / Heartz, Daniel
- The sinking of the Titanic (1998) / Bryars, Gavin
- Eight lines (Octet). (1998) / Reich, Steve
- Christophe Desjardins : Voix d'alto. (2004) / Berio, Luciano
- Essays on the Viennese Classical style : Gluck, Haydn, Mozart, Beethoven. (1970) / Landon, H. C. Robbins
- Mendelssohn : the Hebrides and other overtures (1993) / Todd, R. Larry
- Analysis through composition : principles of the Classical style (1996) / Cook, Nicholas
- Bach : chorale harmonization and instrumental counterpoint (1999) / Boyd, Malcolm
- Style and idea : selected writings of Arnold Schoenberg (1975) / Schoenberg, Arnold
- Music analysis in theory and practice (1988) / Dunsby, Jonathan
- A night at the Chinese opera : opera in three acts. (1987) / Weir, Judith
- A history of the Oratorio. The oratorio in the Baroque era : Italy, Vienna, Paris. (1977) / Smither, Howard E.
- Sequenza 6. (1970) / Berio, Luciano
- The study of fugue. (1965) / Mann, Alfred
- Guidelines for style analysis. (1970) / LaRue, Jan
- Source readings in music history / The Romantic era. (1981) / Strunk, W. Oliver
- Romantic music : sound and syntax (1992) / Ratner, Leonard G.
- The analysis and cognition of basic melodic structures : the implication-realization model (1990) / Narmour, Eugene
- Studies in music 1750-2000 : interpretation and analysis. The creation of the classical style, c.1750-1800. (2001) / Open University. Studies in Music: Interpretation and Analysis Course Team
- Music in medieval Britain. (2nd ed, 1963) / Harrison, Frank Llewellyn
- The operas of Alban Berg. Wozzeck. (1980) / Perle, George
- Georges Bizet : Carmen (1992) / McClary, Susan
- Beyond Schenkerism : the need for alternatives in music analysis (1977) / Narmour, Eugene
- Purcell manuscripts : the principal musical sources (2000) / Shay, Robert Stuart
- The French suites. (1995) / Bach, Johann Sebastian
- Brandenburgische Konzerte. (1978) / Bach, Johann Sebastian
- Experimental art (from Essays on the blurring of art and life). / Kaprow, Allan
- Sergi Prokofiev : materials, articles, interviews (1978) / Blok, Vladimir
- Complete songs. (1995) / Mussorgsky, M. P.
- Musorgsky. (1946) / Calvocoressi, M. D.
- Piano works. (1968) / Debussy, Claude
- Harmony (1978) / Piston, Walter
- Musical form and musical performance (1968) / Cone, Edward T.
- Analysis (1987) / Bent, Ian
- Explaining music : essays and explorations (1978) / Meyer, Leonard B.
- Sechs Bagatellen für Streichquartett, Op. 9. (1952) / Webern, Anton von
- A history of the sonata idea. The sonata in the classic era. (3rd ed, 1983) / Newman, William S.
- Prélude à l'après-midi d'un faune : ed. Gábor Darvas. (1981) / Debussy, Claude
- The early clarinet : a practical guide (2000) / Lawson, Colin
- Analyzing opera : Verdi and Wagner (1989) / Abbate, Carolyn
- Rational melodies : 21 pieces for any instrument (1993) / Johnson, Tom
- Makrokosmos. (1973) / Crumb, George
- Musorgsky : his life and works (2002) / Brown, David
- The grammar of conducting : a comprehensive guide to baton technique and interpretation (3rd ed, 1995) / Rudolf, Max
- SchenkerGUIDE : a brief handbook and website for Schenkerian analysis (2008) / Pankhurst, Tom
- The memetics of music : a neo-Darwinian view of musical structure and culture (2007) / Jan, Steven
- Suites op.25. (1952) / Schoenberg, Arnold
- Concert for piano and orchestra. (1960) / Cage, John
- Coptic light. (1998) / Feldman, Morton
- Mass and parish in late Medieval England : the use of York (2005) / Barnwell, P. S.
- The glory of the temple and the stage : Henry Purcell 1659-1695 (1995) / Thompson, Robert
- Concerti grossi (1985) / Handel, George Frideric
- Concierto de Aranjuez (1993) / Rodrigo, Joaquín
- Distance and enchantment : chamber works by Judith Weir (1995) / Weir, Judith
- Schubert songs. (1967) / Brown, Maurice J. E.
- Six duets, opus 60 : for two cellos / Lee, Sebastian
- String quartets, vol.7. (2000) / Beethoven, Ludwig van
- Musical form in the age of Beethoven : selected writings on theory and method (1997) / Marx, Adolf Bernhard
- Music for 18 musicians : for ensemble. (2000) / Reich, Steve
- Essays in musical analysis. (1935) / Tovey, Donald Francis
- Orlandus Lassus. (1993) / Lassus, Orlande de
- Constructive dissonance : Arnold Schoenberg and the transformations of twentieth-century culture (1997) / Brand, Juliane
- Between romanticism and modernism : four studies in the music of the later nineteenth century (1980) / Dahlhaus, Carl
- The language of music. (1973) / Cooke, Deryck
- Essays in musical analysis. Concertos. (1936) / Tovey, Donald Francis
- Appalachian spring (1945) / Copland, Aaron
- Makrokosmos. (1994) / Crumb, George
- The romantic generation (1998) / Rosen, Charles
- Schoenberg (1976) / Rosen, Charles
- An introduction to musical history. (1955) / Westrup, Jack
- Approaches to communication through music (2002) / Corke, Margaret
- Baroque string playing for ingenious learners (2000) / Tarling, Judy
- Introduction to Schenkerian analysis (1982) / Forte, Allen
- Fünf Orchesterstücke=Five pieces for orchestra : op. 16, original version. (1950) / Schoenberg, Arnold
- Piano sonatas. (1991) / Mozart, Wolfgang Amadeus
- Realism in nineteenth-century music (1985) / Dahlhaus, Carl
- Sonatas (1926) (1955) / Bartók, Béla
- Sonata in C major, K19d for piano (or harpsichord duet) ; edited by Howard Ferguson with an introduction by A. Hyatt King. (1952) / Mozart, Wolfgang Amadeus
- Musicology and difference [ed. Solie - extract] : Narrative agendas in 'Absolute' music: Identity and difference in Brahms's third symphony : by Susan McClary. (1993) / McClary, Susan
- Fugue (1971) / Bullivant, Roger
- Techniques of the contemporary composer (1997) / Cope, David
- Music in transition : a study of tonal expression and atonality, 1900-1920 (1977) / Samson, Jim
- The thematic process in music. (1978) / Reti, Rudolph
- Analytic approaches to twentieth-century music (1989) / Lester, Joel
- Music as cultural practice, 1800-1900 (1990) / Kramer, Lawrence
- Piano music. (1950) / Cowell, Henry
- Fünf Sätze [= 5 movements] für Streichquartett : op.5. (1922) / Webern, Anton von
- Beethoven as I knew him : a biography (1966) / Schindler, Anton Felix
- The notation of polyphonic music, 900-1600. (5th ed, 1961) / Apel, Willi
- Alban Berg : the man and his music (1957) / Redlich, Hans Ferdinand
- Mikrokosmos. vol.4. (1940) / Bartók, Béla
- Quartets no.2 op.10 (1940) / Schoenberg, Arnold
- Music and musical life in Soviet Russia, 1917-1970. (1972) / Schwarz, Boris
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